The Eyes of a Killer Robot by John Bellairs

On to another Johnny Dixon mystery, The Eyes of the Killer Robot by John Bellairs. Johnny is again in danger, this time from a mad scientist who has built a killer robot. Well, truth be told, the robot wasn't intended to be a killer, but to be a baseball pitching whiz. However, fifty years early, when the scientist, Evaristus Sloane brought the robot to the Duston Height Spiders, Johnny's grandfather was a nay-sayer. When Sloane leaves, he threatens to get back at Johnny's grandfather. A ghost tries to contact Johnny, and leaves messages for him about the ghost's eyes being taken. The ghost also leaves a snuff box with a pawn ticket in it that leads Johnny, the professor, and Fergie to a cane with a hidden sword. By the end of the story, the cane holds an important role in the battle against evil when Sloane returns with his robot to claim a $10,000 prize for striking out a famous Yankee hitter.

As I mentioned, the Johnny Dixon books are very similar in plot. Johnny finds himself in danger of losing his life to evil forces. The professor has to battle to free Johnny from the evil. In The Eyes of the Killer Robot, Johnny is physically kidnapped instead of being spiritually hijacked, and this time the threat is much more dangerous. Not only is the plot good, but the cover art by Edward Gorey is amazing. It really captures the thrill of the moments when Johnny, Fergie, and the professor find the pitching robot, and the moment when the evil Evaristus Sloane tries to steal Johnny's eyes for a new robot. The Johnny Dixon books are good summer vacation reading for the kids and for the adults with a child's enthusiasm.

The Spell of the Sorcerer's Skull by John Bellairs

Onto the third Johnny Dixon mystery, The Spell of the Sorcerer's Skull by John Bellairs. One of the things that I find interesting is that so far, none of the Johnny Dixon mysteries refer back to previous evil adventures that Johnny has had. It's amazing to me that the kid doesn't really seem to learn from his past errors of judgment. He just keeps on repeating the errors. In The Spell of the Sorcerer's Skull, Johnny and Professor Childermass go on a weekend trip to view the New Hampshire countryside. The professor's car breaks down, and he and Johnny stay in a nice inn. When the inn owner finds out the professor's name, he says that the inn has a haunted clock from the Childermass family. It seems the clock was stolen from the professor's family home, and it was left on the inn porch. The professor's dad made it in memory of his great-uncle who mysteriously died. The clock has a detailed reproduction of the room where the great-uncle died. The inn owner won't say how the clock is haunted,but Johnny discovers the secret when he wakes up in the middle of the night and is drawn to the clock. As Johnny opens the door to the room, it looks as if he is in the room, and he sees the great-uncle getting suffocated by a dark shape. When Johnny tries to leave the room, a small skull in the house rolls out, and Johnny picks it up. Of course as soon as he does it, he finds that he is under the skull's spell. He puts the skull in his pocket and takes it home, and the skull seems to be able to prevent Johnny from telling anyone what he saw in the room with the clock.

That's when things heat up at the professor's house. A mysterious Jack-O-Lantern appears in an upper window, and then the professor disappears. Johnny sees an image of the professor in a mirror asking for help, but of course, the image vanishes. Johnny tries to get his best pal, Fergie, to believe him, but Fergie wants proof, which Johnny can't provide. Johnny finds an unexpected ally in local priest, Father Higgins, who was also a great friend of the professor. Johnny spilled his guts to Father Higgins, except for the vision of the great-uncle's death and Johnny keeping the small skull. Father Higgins suggests a ritual request to Saint Anthony, saint of lost things, to find out where the professor is. Surprises of surprises, when three days after the ceremony, Father Higgins and Johnny receive an answer that sends them to an island in Maine. The interesting thing is that when Father Higgins checked on the clock, he found out that it was sold to someone on the island. Father Higgins travels to Maine with Johnny and Fergie to find and rescue the professor.

Even though Johnny doesn't seem to learn from past mistakes, I have to admit that I found The Spell of the Sorcerer's Skull to be a very enjoyable and thrilling read. It has just enough spookiness to keep the reader on the edge of the seat. An interesting commentary on the time. The book is set in 1952. When Father Higgins goes to the Gramma and Granpa to ask if Johnny can go away with him for the weekend, they are agreeable and honored that the Father would take Johnny. Now in the light of all the Catholic priest abuse scandals, I don't think parents would be willing to allow a child to go away for the weekend with a priest.

Edward Gorey did the frontispiece for the book. It's a drawing of the Childermass clock. He seems to have had a good working relationship with Bellairs. I would have liked to have seen more illustrations throughout the book. Drawings of the skull and other eerie events would have added to the tension in my opinion. The Spell of the Sorcerer's Skull is an good entry in the Johnny Dixon mysteries. What are you waiting for? Give one of them a try.

The Mummy, the Will, and the Crypt by John Bellairs

Book number two in the Johnny Dixon series is The Mummy, the Will, and the Crypt. Overall, the book has a darkness about it. Johnny's Gramma has a brain tumor, and this illness really freaks Johnny out because he is afraid that she will die. Although the professor recognizes the symptoms of the brain tumor and gets Gramma to the hospital, she still needs surgery and a long recovery period that might not be successful. More disaster is on the way when Johnny's father, flying a fighter jet in the Korean War, goes missing after his plane is shot down. Johnny fears that his father is dead, that Gramma will die, and that Grampa will waste away without Gramma. Of course, the Professor will not want to adopt him, so Johnny gets himself in a gloomy frame of mind. That's why he goes in search of the Glomus Will. At the start of the book, the Professor and Johnny went on a road trip and visited the Glomus mansion. Johnny finds out about the lost will of H. Bagwell Glomus. Glomus had left behind some clues to the location of the will when he died, but no one had been able to figure it out. There was a reward of $10,000 if someone did find the will, and because Johnny decides that his Gramma is going to have a tumor relapse, he decides to find the will and get the money to hire the best brain surgeon for Gramma. Johnny runs away from home, with the threat of the winter's worse blizzard on the way, and makes his way to one of the houses that Glomus owned near a Boy Scout camp where Johnny had stayed. While Johnny was at the Boy Scout camp, he met up with another Duston Heights boy named Byron Ferguson, aka Fergie. When Johnny goes missing, the Professor gets Fergie, and they go off to find Johnny. Before the story is resolved and the will found, Johnny, the Professor, and Fergie have to ward off an evil witch. All is resolved by the end of the book.

The Mummy, the Will, and the Crypt was a very enjoyable read. The magic elements were well-done: scary and not overdone. The puzzle of the will was thorny, and obvious, once it was explained. I still like Johnny. As Bellairs says in the book, "Johnny was a pretty strong boy, in spite of his timidity." Johnny has determination, and although he is not the best athlete, he never comes across as wimpy as Lewis Barnavelt. I love the addition of Fergie. He's smart just like Johnny, and they get into a trivia dual when they first meet. Fergie is also athletic and brave. I can't wait for the further adventures of Johnny, Fergie, and Professor Childermass.

Edward Gorey did a frontispiece and maps for the book. The Johnny Dixon series doesn't have many illustrations, but Gorey did a great job of conveying mood and plot through the few illustrations.